Most finished images of my architectural and interior design photography are composites of several exposures to improve the dynamic range and contrast. The exterior retail photograph below of the California Closets flagship store in New York City is a rare example of an image based on a single exposure. Move the slider to see the image straight out of the camera and after retouching.

This exterior dusk image of a contemporary house addition in Connecticut was photographed with a drone, and the post-production is based on a single exposure. The main post-production work here is finding a balance between …

Here is a before and after retouching example of a department store in Katonah, NY. Photoshop and multiple exposures (to remove the car) to the rescue. Move the slider to see the original, single exposure, image and the final multi exposure, retouched, version.

From a simple white on white product shot to a motion graphic. The pandemic gave me some time to work on my editing skills.

Architectural exterior dusk photography usually needs a lot of post-production work. Light levels and color temperatures, in the straight out of camera image, will never match. Skies often look dull and need to be replaced. Security flood lights and exterior wall speakers are usually a design catastrophe, but a necessity. And the list goes on and on. Move the slider to see the original straight out of camera image and retouched final version. Find at least 10 difference. ;-)

A time-lapse video of my Photoshop editing process.

I saw this old classic neon sign in Santa Monica. Unfortunately the bar was closed, and I couldn’t go back to see how it would look like lighted at night. So, I decided to light it up myself in Photoshop.